Size: 40*30 cm

This is Dorjepagmu thangka which made on Rincheling thangka gallery and art school, where have mostly are Girls artist who are comes from different hills area of Nepal. This is 42days work of thangka. This thangka made on cotton canvas colors used natural stone color and 24k gold. To prepare canvas used natural clay with glue. So, canvas is very strong and very soft. Sketch part done by Tashi lama, which is very important part for each and every thangkas. If sketch is not good proportion, then thangka is not good, so our thangka is different then market thangkas. after sketch start to color where we used natural stone color which we import from Tibet. After color making very thin and soft color lining which also very important. Then used 24 caret gold carving. And face is making end of time, before start to make face have to get permission from high lama which date and time is suitable to open the eyes. Without permission if open the eyes of deities that is not good to used for worships, prey and meditation.

In our school each and every artist are doing meditation almost 15-20 minutes, which are very important to crate compassion and positive energy. Then start to make the thangkas sits on east direction, because direction is also very important to crate the good thangka. If artist sits on wrong direction, when make thangka then it crate negative energy for the users. So, in our school followed all rules and regulation to crate thangka. when people used thangkas it will crate compassion, love, positive vibes.

And sale of 45% is goes to all of the artist of Rincheling art school who comes from different hills area of Nepal. Nepal is still under Developing country where mostly girls are out of education and jobs, so it makes very hard life in rural area where no roads no electricity. So we are collecting the artist from rural area and giving opportunity became self-dependent in there’s life.

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SKU: DF 02 Categories: ,


Vajravarahi (Dorjepagmu) is one of the most popular and commonly depicted meditational deities of Tantric Buddhism. She is also found in the same Sanskrit literature (Abhidhana Uttaratantra) that describes the deity Chakrasamvara. Vajravarahi is a form of the deity Vajrayogini. The only difference in appearance is that Vajravarahi has a boar’s head attached to her own, either placed on the top or on the right side of the head.  Vajravarahi, red in color, with one face and two hands. Her right hand holds aloft a curved knife and the left a skull-cup to the heart. In the bend of the left elbow a katvanga staff is held against her left shoulder. Adorned with bone ornaments and a necklace of heads she stands in a dancing posture on a corpse seat. Surrounding her, on the four lotus petals, stand four figures. Above is red Padma Dakini, to the right is green Karma Dakini, below is dark blue Vajra Dakini, and to the left is yellow Ratna Dakini. All have the same hand objects, ornaments, and posture as the central figure. Situated on a black background, the central figures are surrounded by three successive rings of skulls, gold vajras, and the five colored flames of the fires of pristine awareness.


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